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Georgian jewellery is the oldest most collectors will ever handle — made between 1714 and 1837, under the four King Georges, entirely by hand, before electricity, before photography, before the modern brilliant cut. Surviving pieces are rare, romantic and unlike anything made since.
Every Georgian jewel was made for candlelight. Rooms glowed rather than blazed, and jewellery evolved to match: diamonds were set over metal foil in closed-back settings to throw back every scrap of light, and stones were cut with big, soft facets — the rose cut and the old mine cut — that shimmer rather than sparkle. Gold was hand-worked, typically high-carat and warm in colour, and silver was often used over gold for setting diamonds.
Beyond diamonds: flat-cut garnets glowing over foil, pastes (hand-cut glass, collectable in their own right and worn proudly by the wealthy), pearls, coral, and Berlin iron. Hallmarking was inconsistent on jewellery of this period, so the absence of marks is normal rather than suspicious — construction and cut are the better witnesses.
With pieces two to three hundred years old, honest wear is expected and correct: softened engraving, minor foil darkening, tiny old repairs. The golden rule is keep water away from closed-back settings — moisture spoils the foil behind the stones. Wipe gently with a soft dry cloth, store pieces individually, and never use ultrasonic cleaners. Our care guide covers this in detail.
Genuine Georgian jewellery is scarce — much was remodelled by later generations — which makes it one of the most rewarding areas to collect. Condition, charm and honesty of the piece matter more than perfection. When a Georgian piece appears in our collection it rarely stays long; see what's currently available or ask us to look out for one for you.
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